"You were born a white man in mid-twentieth century industrial America. You came into the world armed to the teeth with an arsenal of weapons. The weapons of privilege: racial privilege, sexual privilege, economic privilege. If you wanna be a pacifist it's not just giving up guns, and knives, and clubs, and fists, and angry words. But giving up the weapons of privilege and going into the world completely disarmed. Try that!"
U. Utah Philips, Weapons of Privilege
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music, politics, newspeak, and more.
The title of this blog comes from the 1934 Workers' Songbook, which states in its foreword: "Music is a Weapon in the Class Struggle." This idea served as justification/ motivation for many young, left- leaning composers of that period, like Seeger, Eisler, and Blitzstein. From what one reads, these composers really believed—at least at the time—that music could bring about real social change at a time of great social crisis, and composed their music accordingly.
At a time when history may well be repeating, these seem like interesting and important ideas to once again consider. ( I am also writing my dissertation on related issues, and intend to share bits of that when they're ready.)
I also write about heavy metal. Sometimes.
At a time when history may well be repeating, these seem like interesting and important ideas to once again consider. ( I am also writing my dissertation on related issues, and intend to share bits of that when they're ready.)
I also write about heavy metal. Sometimes.
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